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Guts of Purple

London N9

Production company · London

Pictures, programmes, and the material they leave behind.

GUTS OF PURPLE LTD produces motion pictures, video and television programmes, and carries the material that comes off a shoot through post-production and stills work.

[email protected]

Formats the company works in

Four strands of work sit behind the company’s registration. They call for different plans and different delivery, but the same discipline once a camera is running.

Motion picture production

Work shot to be watched as a single piece, with its own running time, cut and finish. A picture is taken from the point at which a script or an outline is settled, through the shoot, and into the cut. What exists at the end is one finished item with a running time of its own, and the loose rushes it was drawn from stay behind it as source material.

Video production

Commissioned video made to do a particular job for whoever asked for it: a piece for a screen, an event, a launch, or an audience inside an organisation. The brief fixes the length and the shape, the shoot is planned around it, and the cut is delivered in the format the commissioner has to work with.

Television programme production

Programme work made to a broadcast shape: a running order, an exact duration, and a delivery specification that has to be met to the letter. Technical consistency across episodes counts for as much as the content, so material is logged and checked as it is made instead of at the end.

Post-production, film processing and stills

Once the shoot is over the material still has to be handled. Rushes are conformed, sound is laid and balanced, picture is graded, and stills are selected, processed and prepared for use alongside the moving image. This is the stage at which a production stops being footage on a card and becomes something that can be delivered.

What the work runs through

A production passes through the same disciplines whether it is a film, a commissioned video or a programme. These are the stages the company plans for and accounts for on any job.

Development
Turning an idea into something that can actually be scheduled and shot: the outline, the treatment, and the practical questions of where, when and how.
Production
Schedules, call sheets, locations and permissions, and the day-to-day running of a shoot, so that the plan survives contact with the day.
Camera
Framing, lensing and lighting decided in service of the cut that has been planned, not as a set of handsome shots that will not join up.
Sound
Clean dialogue and usable atmosphere recorded on location, then laid, balanced and finished against picture.
Editorial
Assembly, cut and conform: shaping the material to the agreed running time and locking it so that finishing can begin.
Grade
Setting contrast and colour so that shots cut together and the piece holds one look from first frame to last.
Stills
Photography taken alongside the moving image, then processed and prepared so that it can sit beside the finished piece.
Delivery
Producing the masters and versions that were asked for, with the technical checks and paperwork that have to travel with them.

Talk to the production office

Enquiries about production, post-production or stills work go to the address below. Writing is the quickest route: it helps to say what the piece is, roughly how long it needs to run, and when it is wanted.

[email protected]

Registered office

80 Westerham Avenue
London
N9 9BS
United Kingdom